Muu(t) tekijä(t): Timo TyynismaaAsiasanat: kuvateokset, muusikot, valokuvat, harjoittelu, yhtyeet, tilat, soittaminen, musicerande, musiker, bildverk, fotografier, musikgrupper, lokaler, harjoittelutilat, övningslokaler

Take a delirious hyper-metaphorical ride with a love triangle into a fiery cosmos. Shapero’s outer space uncannily mirrors inner space, daring us to ditch our expectations and probe the depths of human desire. Dimensiot 22 ¤ 16 cm.

I Can Love You Better 3:53Wide Open Spaces 3:44Loving Arms 3:37There's Your Trouble 3:10You Were Mine 3:37Never Say Die 3:56Tonight The Heartache's On Me 3:25Let 'Er Rip 2:49Once You've Loved Somebody 3:28I'll Take Care Of You 3:40Am I The Only One (Who's Ever Felt This Way) 3:25Give It Up Or Let Me Go 4:55

Koko nimi: New Aspects in Regional Anaesthesia 5 - Peripheral Nerve Block Techniques, Pharmacological Interactions, Physiology of the Epidural Space and Endocrine-metabolic Response to Stress

Asiasanat: sisustus, koti, sisustussuunnittelu

Asiasanat: Functional analysis, Banach spaces

Muu(t) tekijä(t): Tero KuittinenMerkinnät: omistajamerkintäAlkuteos: Lost in space

Muu(t) tekijä(t): Rita OksanenAlkuteos: Angry Birds Space. NumbersAsiasanat: lastenkirjallisuus, numerot, kuvakirjat, paksulehtiset kirjat

Muu(t) tekijä(t): Rita OksanenAlkuteos: Angry Birds Space. NumbersAsiasanat: lastenkirjallisuus, numerot, kuvakirjat, paksulehtiset kirjat

Koko nimi: (No) vacancies II : Myyrmäkitalo, Myyrmäen kaupunkitila ja Kauppakeskus Myyrmanni, 28.11.1997 - 14.1.1998 = Myyrmäkihouse, urban space in Myyrmäki and Shopping center Myyrmanni, 28.11.1997 - 14.1.1998Muu(t) tekijä(t): Paul Kamp, Ellen de BruijneAsiasanat: Suomi, 1990, Hollanti (Alankomaat)

Kristall-Süs-stoff im rhomboeder Kristallen - 50 mal so süss als Zucker / Romboid kristal 450 raz space sahara -alkuperäinen, avaamaton makeutusainepakkaus noin vuodelta 1914-15. Saksalainen valmiste, tehty Hampurissa, etiketti saksaksi ja venäjäksi. Viimeinen mitali, joka kuvattu pakkauksessa, on vuodelta 1914 (yleinen tapa tuolloin kertoa missä messuilla ja kilpailuissa oli saatu laatupalkintoja). Mitä ilmeisimmin keisarillisen Venäjän markkinoille suunnattu tuote - I Maailmansodan jälkeenhän olisi ollut mahdotonta painaa moisia kyrillisiä kirjaimia saksalaiseen tuotepakkaukseen -varsinkin kun katsoo etiketin alareunan kiellon myydä kyseistä tuotetta Saksassa, samoinkuin Ranskassa ja Tsekkoslovakiassa

The space programme has finally lost its novelty, and a jaded public hardly notices another moon launch. Skilful PR men preserve the illusion that the missions have become routine.But astronaut Richard Martin can tell a different story. Of panic in deep space, of crewmen pushed beyond breaking point, of official indifference towards his own shattered life.Martin is effectively put under wraps - until the pilot of a moon capsule, loaded with nuclear weaponry goes beserk and a nightmare develops, threatening to engulf the world - a nightmare that only Martin could end.

Jolon Gallamor was being hunted by the same inter-galactic hunters who had slain his father. Behind him lay certain death. Ahead of him lay a universe teeming with pirates, slavers, tyrants & warriors, where all law & order had broken down, & survival was only for the fittest. Jolon Gallamor had a mother wit & an acting skill that let him play a different role on every planet. He had a strange store of knowledge from the nearly forgotten past that he used to his bizarre advantage. And he had an implacable enemy coming closer & closer as Jolon moved ever outward in space toward the point of no return.

In the first half of his first collection of short stories, Watt-Evans comes up with some clever variations on a standard SF theme: imagine that you can travel from world to world among an infinite number of alternate realities, but with no way to return to where you started. Watt-Evans introduces us to a New York City cop whose job it is to deal with chunks of other universes--such as a 200-foot flying whale--periodically dropped onto Earth by ``reality storms''; a mourning widower who travels doggedly from universe to universe in a desperate attempt to resurrect his marriage; and an entrepreneur who has discovered a way to bring back marketable ideas from other worlds. Unfortunately, although the book promises ``an infinite number of possibilities'' for tales of travel between alternate realities, Watt-Evans ( The Misenchanted Sword ) seems to run out of ideas about midway through the collection. The result is an oddly disjointed book whose second half is composed of a few fantasies and some self-consciously old-fashioned stories about martians, monsters and a couple of space-colony kids who decide to build a spaceship.

Andrew Blake is found in a space capsule on a distant planet and is brought back to an unfamiliar Earth, where antigravity devices have replaced the wheel, and houses talk and even fly!Yet nothing is as strange as Blake's own feelings. Tormented by eerie sensations and loss of memory, he doesn't know who he really is or exactly where he has come from. His destiny only begins to grow frighteningly clear when he meets a weird, tassel-eared creature who darkly hints at the truth about Blake's origins. Slowly Blake becomes aware of the long hushed-up "Werewolf Principle," a scientific theory buried in the past, which holds the key to Blake's own fate--and the future of the human race...

Muu(t) tekijä(t): Graham SpinardiAsiasanat: ydinaseet, kylmä sota, teknologinen kehitys, asevarustelu, ohjukset, aseteknologia, tiedustelusatelliitit, Space weapons

Sarja: Ars Semiotica Fennica X

Merkinnät: omistajamerkintäAsiasanat: analyyttiset funktiot, funktionaalianalyysi, Functional analysis, Banach spaces

Sarja: Dover books on mathematicsAsiasanat: Functional analysis, Linear topological spaces